Our next Kizumonogatari staff interview translation has VFX supervisor and eventual director of photography Michiya Kato give an in-depth chronicle about its production: the deliberate aesthetic mismatch yet tremendously cohesive creative approach, and the nearly impossible amount of work behind it all.
Most Wonder Egg Priority episodes so far have been fantastic first time showings by newbie directors, but what is it about this team’s approach that allows them to channel fresh creative energy so much better than their peers? And at the same time, what are the logistical and even thematical problems derived from their approach?
Kizumonogatari hit its 5th anniversary last month, and to commemorate that, we’ll be publishing a weekly series of interviews. First, a lengthy conversation with its lead animators and directors about the movie’s creation, and what it’s like to work under an eccentric genius like Tatsuya Oishi.
Tomomi Mochizuki’s seamless, all-encompassing approach to animated storytelling made him one of anime’s most brilliant directors in the 80s and 90s, setting him on a path he’s still walking through nowadays. Time for a primer on this terrific yet overlooked director!
The third episode of Wonder Egg Priority is an amazing directorial debut, capable of modulating its delivery to adapt to a character protecting her wounds with a façade, but also of developing a language of touch to deliver subtler truths. So, who’s the prodigy behind it?
Wonder Egg Priority is a truly unique show, an effort by an up-and-coming star to repurpose the creative language of one of anime’s greatest directors in a way that fits his own circumstances. Grasping its context only makes its quality even clearer.
Enjoy this deep dive into the unusual Winter 2021 anime season: let’s talk about its extraordinary concentration of brilliant creators and robust teams capable of supporting their ideas, but also the huge yet uneven impact of the pandemic, widening the already existing inequality rifts in the industry.
We’ve yet again gathered a team of fans from all over the world, as well as animators, directors, and indie creators to share their favorite works and creators in the world of animation according to various categories—2020 might have been a year to forget in many ways, but the least we can do is try to preserve some sweet memories. Enjoy the sakugabooru / Sakuga Blog Animation Awards 2020!
Ojamajo Doremi became a formative experience for a whole generation. An impossibly daring team with a perfect overlap of young and veteran talent at Toei accompanied kids across topics no other anime would tackle with such maturity. 20 years later, they still do.
Studio Ufotable recently hit their 20th anniversary, which they celebrated with their most successful title to date. Their history up till this point has been marked by consistent ideology, but they’ve still gone through very distinct eras—including some of the craziest experimentation seen in commercial Japanese animation. Theirs is a tale of wild but meticulous growth.