The time has come for another deep dive on SSSS.Dynazenon‘s production: a mix of unique in-house Trigger talent and outside help, working in conjunction to create a show where the animation, writing, structure, and even the staff allocation responds to (and subverts!) existing expectations.
We’ve yet again gathered a team of fans from all over the world, as well as animators, directors, and indie creators to share their favorite works and creators in the world of animation according to various categories—2020 might have been a year to forget in many ways, but the least we can do is try to preserve some sweet memories. Enjoy the sakugabooru / Sakuga Blog Animation Awards 2020!
Anime isn’t escaping unscathed from these turbulent times, so we’ve got a bit of a special season preview: focused not just on the new Spring anime that look like the most interesting gatherings of talent, but also those best prepared to weather the storm and avoid falling apart.
SSSS.GRIDMAN‘s not losing any momentum, with interesting new reveals boosted by very purposeful directorial choices… but also quite the controversy (or not really) regarding the production that we thought should be addressed before it gets out of hand.
Now that it’s finally revaling its mysteries, SSSS.GRIDMAN‘s more intriguing than ever. Let’s delve back into the series with another in-depth look at its secrets, the directorial principles that make is so engrossing, the ups and downs of outsourcing process, and a few more behind the scene matters that explain what’s happening on the screen.
SSSS.GRIDMAN is proving to be one of the most intriguing offerings this year. A rich creative effort drawing from multiple stylistic currents and mixing them in a way that feels so natural that people are likely to overlook how outstanding this is. Let’s take a deep dive on the first episodes and explore the direct correlation between certain production choices and the show’s bewitching atmosphere!
Fall anime season is fast approaching, featuring even more mysteries than usual – but that’s what we’re here for! Let’s run down the most interesting upcoming titles, the major projects that congregate skilled anime creators, and the misleading productions that you might otherwise ignore or not be fully prepared for.
Double post – though not double length – to cover Little Witch Academia’s changing priorities, the state of its production and the interesting guest creators it keeps featuring.
Gainax is dead, long live Gainax!
It’s time to look at a handful of notable opening and ending sequences from this season of anime, briefly disclosing the staff that made them possible and highlighting their particular strengths. Since people were fond of this concept last time, I went ahead and decided to make it into a recurring thing. Enjoy!