The second episode of Violet Evergarden offers a different flavor, in a way that’s very representative of the duo of directors handling the show; after the bombastic premiere by Taichi Ishidate, it’s the turn of young series director Haruka Fujita and her much more delicate, understated, and always very thoughtful approach to making anime. Let’s explore the countless details she filled the episode with, as well as more general points regarding this spectacular production. Enjoy!
Today’s double dose of Violet Evergarden goodness also includes the translation of an interview with its director Taichi Ishidate, originally published in the recently founded Shin-Q magazine. Ishidate talks about his personal approach to the project, its themes, and the particularities of the production, such as the impossibly detailed designs and the unique coloring process.
Violet Evergarden is a strong candidate to becoming one of the most impressive TV anime productions of all time, so of course we’ll be covering the show in its entirety. The first episode already showcased many aspects that make it a very special production, so let’s waste no time and dig into the secrets of this project!
And so Land of the Lustrous comes to an end, not in grand fashion but with a melancholic look back that highlights just how much things have changed. One last chance to address the vision of the creators, the quirks of this special production, the likeliness of a sequel, all those details you come here to find out. It’s been a pleasure to cover this show for you!
Today we’ll explore the many unique ways anime depicts itself: how fascinating directors like Kunihiko Ikuhara and Satoshi Kon have toyed with the subject matter, the iconic anime production series throughout the years like Shirobako and Animation Runner Kuromi, as well as more recent meta titles like Anime-Gataris. There’s a lot of effort put into details that usually go unnoticed, and conceptually it’s a very interesting theme as well. Enjoy this post filled with many flavors of love towards anime!
Land of the Lustrous is approaching its ending, and yet it still finds a myriad of ways to keep on surprising us this late in the game. New registers and tones it also excels at, new ways to combine traditional and digital craft, new directors to share their vision. This is a truly special show, so don’t hesitate and read more to find out about its secrets.
Digital animators have been putting out some of the most impressive work anime has to offer over the last few years. Today we present you one of the leaders of a new wave within that movement, which introduces a more human element to those flashy spectacles. Meet Nakaya Onsen, who has been receiving lots of attention as one of the stars in the astounding Fate/Apocrypha #22!