The anime industry is so saturated with high-profile projects at the moment that studios have to fight tooth and nail to secure qualified animators—sometimes internally so. What could be a great excuse to offer workers more attractive conditions is failing across the board.
Princess Connect Re:Dive Season 2 #04 is without a doubt one of the most jaw-dropping action spectacles in recent TV anime, while remaining every bit as charming as the show has been. But who’s responsible for it all, and what does it take for a production to punch so far above its weight?
Nearly 15 years since the cult hit Dennou Coil, its spiritual successor The Orbital Children has just been released. This is the story of how and why they came to be, by the hand of master craftsman and visionary director Mitsuo Iso—this is how he animates the future.
Creators tend to have their range of expression limited when working on big franchises, and that’s precisely why Fate/Grand Order – Divine Realm of the Round Table: Camelot is such an interesting case. This is how a young team amidst a huge mess challenged anime production standards to create something spectacular.
Our yearly animation awards have once again gathered animators, directors, producers, writers, translators, fans, and everything in between to pick the greatest contributions to anime and the world of animation in general for the year 2021—enjoy!
Makoto Shinkai’s modern work is defined by its immediate circumstances to a larger degree than most people realize, be it the themes he decides to tackle or the finesse in the delivery that depends on the whims of the industry. This is how they affected Your Name, Weathering with You, and even his new film Suzume no Tojimari.
Anime’s production schedules, the wellbeing of its creators, and the quality of their work are deeply interconnected. It’s a complex balance fraught with misunderstandings, and even lies by exploitative companies protecting the marketability of their products.
The Fall 2021 anime season is frontloaded with a few truly exceptional creative efforts, then chockful of titles with interesting teams having to brawl with this industry’s circumstances. Let’s dive deep into a season that, for the good and the bad, is very representative of anime’s current state.
Let’s dedicate a final look at Maidragon‘s second season and its role in KyoAni’s gradual rebuild—the why and how they made a beautiful show with a smaller team than it takes to animate an average episode of anime nowadays.
KyoAni’s most renowned director Naoko Yamada left the studio she had dedicated her entire career to and is now directing Heike Monogatari at Science Saru—a studio in the midst of labor and creative turmoil. So, what does that mean for all the involved parties?