While many fans of Kyoto Animation have heard about the KyoAni School, it’s very few who realize their initiative to train new generations of anime creators has been in place for longer than the studio has actually been creating their own titles. This is the story of a well-known but never fully appreciated aspect of KyoAni’s unique strategy—essential to their success in the past, and even more so in the future.
It’s time for the Summer 2020 anime preview: fewer titles than usual due to the mass postponements the pandemic caused, but also an unnatural concentration of talent for a handful of lucky titles with exceptional creative teams, solid ideas, and sometimes both of those!
Last week, anime creators with diverse backgrounds and standings in and outside the industry joined their voices to illustrate the hellish experience that is in-betweening. This is how the delegitimization of an essential job is ruining lives and putting anime’s present and future at risk.
With Re:Zero season 2 right around the corner, it’s time for a lengthy look back at the team and circumstances that made the original such a successful adaptation, as well as their evolution over time and what that means for this sequel’s production.
By popular demand, we’ve written about Attack on Titan‘s new creative team, what to expect from the production altogether, and why the significant changes at studio MAPPA made them into arguably the only outside option to carry this massive load.
If you’re in the mood for obsessively precise character acting, we’re here to offer the translation of a long roundtable with A Silent Voice’s director Naoko Yamada and some of the individuals who commanded the movie’s animation production, where they reveal many details about its making.
Violet Evergarden‘s side story film is a tragic remnant of the skill of many Kyoto Animation artists whose lives were cut far too short, but also a bright look towards the future by a new generation of creators who now more than ever are meant to become leading voices at the studio.
Keep Your Hands Off Eizouken came to an end without compromising the ideals of its production, even as deadlines got tight by the end. This is our final look at the most inspiring series about creating animation!
Studio Colorido’s Team Yamahitsuji has been on the news after the reveal that they’re producing a movie based on Tite Kubo’s BURN THE WITCH – but who are they, and what are they adding to a studio that already stood out for their digital animation mastery and positive work environment?
While the world as a whole is in a pretty bad place, it’s been quite a strong season for independent animation creators. If you need some cheering up, we’ve highlighted a few fantastic artists & trends, and explained how the indie world intersects (or doesn’t) with the commercial anime industry nowadays.