Revue Starlight keeps on cruising under the command of very skillful rookies, creating one memorable scene after the other. But as admirable as their ambition is and the generally excellent results they’ve had so far, we can’t avert our eyes from the severe struggles the team is facing either. Let’s recap all that’s been going with this production, the very good and the less fortunate!
HisoMaso is back with a much more grounded character episode… as much as you can ground a jet dragon to the floor, anyway. The series is living up to the expectations, not only when it comes to the content of the series but also the wonderful ending that all pre-screening attendees had already been charmed by. Let’s look at the team who’s making this delightfully unique series possible!
The series continues with a relatively calmer second episode, giving the viewers time to breath and see the origins of Hellsalem’s Lot. What approach did the director choose to depict flashbacks and how did the staff deal with new opening and ending sequences?
Blood Blockade Battlefront has returned with an episode that definitely went Beyond in terms of pure madness. A new team has arrived to the series with the intention to pay respect to the original Blood Blockade Battlefront, but also to offer their own take. It’s time to look at their distinct work, analyze the situation regarding the prodigious director Rie Matsumoto who has now departed from the project, and observe where Blood Blockade Battlefront & Beyond is heading. I admit it,…
Latest three installments of My Hero Academia served as a bit of a break for the animation staff before the final stretch of season 2, which will presumably be packed with some of the most intense moments in the entire series. That doesn’t mean there’s no interesting topics to talk about though! Let’s see how the show fared during these more laid back moments.
We’re still pacing our way through the show’s introduction, judging by how most of this episode was setup for things to come. That doesn’t mean there’s nothing to talk about, however! The state of the production itself is becoming increasingly clear, not to mention the appearance of a surprise star!
Production fatigue and WIT’s always questionable management become more of an issue as we approach the end, but this series keeps on finding talented people to make up for that. Ghibli veterans, the show’s own stars and promising new talent all in one post!
Attack On Titan’s sequel has finally arrived, and its many fans requested us to take a look at its production. These articles will be examining its staff, the creative process, the animation itself and even some technological advances. This time, special focus on studio WIT’s unique makeup animation process!
Goodbye Yoshiaki Kawajiri, hello Yosuke Hatta. The storyboarding duties change hands but Madhouse’s outsourcing policies never come to an end!
This is shaping up to be quite a nice show after all, definitely earning a look at its craft despite not being the most brilliant production.