Creators tend to have their range of expression limited when working on big franchises, and that’s precisely why Fate/Grand Order – Divine Realm of the Round Table: Camelot is such an interesting case. This is how a young team amidst a huge mess challenged anime production standards to create something spectacular.
It’s time to catch up once again with FGO: Babylonia‘s consistently spectacular yet not always fulfilling production to highlight how episode #18 knocked it out of the park. Let’s tackle the directorial debut of an animator whose work feels grandiose without neglecting the close & personal!
We’ve reached the grand finale of our animation awards! These are the shows and movies that, for some reason or the other, have impressed our panel of fans and industry members the most!
Our yearly animation awards gather writers from all around the world to highlight the animated works that resonated with them the most – and this time we’re taking them to the next level, by including the insight of various anime industry members, from a production assistant to animators and even directors. We’ve split the results into three posts so that the result is easier to disgest, so today we’re presenting the best TV episodes of 2019, the opening and ending…
It’s time to recap all the recent happenings in Fate Grand Order: Babylonia‘s exceptional production, some shortcomings of the show, but especially to admire the work of a certain animator who continues to deliver the most memorable work in the entire star-filled project.
Renowned series directors, main writers of notoriety, ace animators in various positions, perhaps some painters acting as art directors or designers – there are some individuals whose name alone can generate excitement, but it’s reserved to a select crew. So how come fans and industry folks alike are clamoring about Fate Grand Order: Babylonia #05’s production assistant, even though that’s anime’s most undervalued role? Let’s learn about how people like Shouta Umehara can make a difference in the field!
While F/GO Babylonia hasn’t quite kicked off with the bang many expected it to, things have began to take a turn for the better with its latest episode. As the cast finally settle into Uruk, let’s take this opportunity to explore not just why this episode stands out, but also the mind behind it.
The new season’s already starting, so you know what that means: it’s time for another detailed rundown of all new anime with particularly talented creative teams, to see what’s got the most potential and how each production is faring.
If you’re dying to watch the upcoming Fate/Grand Order Babylonia anime, we’re here to help you by making that wait even more painful — this whole piece is dedicated to its extraordinary production circumstances, the consequences of the studio prioritizing the project, the dazzling team behind it, and also the limitations they might be facing. And if you’re not interested at all in the series, should you be? Let’s see!
Episode #00 of CloverWorks’ Fate/Grand Order Absolute Demonic Front: Babylonia anime has been recently revealed to the surprise of many, but things aren’t quite as they seem. Come join us as we explore the circumstances behind its production and what to expect going forward!