KyoAni’s renowned quality is built upon a special culture and many years of cultivating talent in different creative departments. Today we’ll focus precisely on their animation, with a lengthy roundtable featuring their active character design and chief supervision crew up till the arson. Shouko and Kazumi Ikeda, Futoshi Nishiya, Miku Kadowaki, and Akiko Takase had an in-depth conversation about their experiences at the studio, the differences between the role of a chief animation director & a regular supervisor, their mentality…
If you’re in the mood for obsessively precise character acting, we’re here to offer the translation of a long roundtable with A Silent Voice’s director Naoko Yamada and some of the individuals who commanded the movie’s animation production, where they reveal many details about its making.
The Disappearance of Haruhi Suzumiya was released 10 years ago today, on February 6, 2010. A decade later and despite the tragic losses, its legacy at Kyoto Animation and the industry altogether still endures.
Welcome back to the most special post of the year! As is tradition, we’ve gathered writers from different communities but a shared trait: a love of animation and all it encompasses. The goal, to praise at length the greatest productions and most resonant direction in all of 2018 anime, according to a series of categories. These are our yearly anime awards – the sakugabowl!
The High☆Speed! interviews continue with two conversations with artists commanding the animation department: character designer Futoshi Nishiya and prop designer Seiichi Akitake talk about how they project the character’s personality into the design work, be it general traits or daily life minutiae, while also sharing anecdotes regarding the production process.
High☆Speed!, a somewhat overlooked movie in Kyoto Animation’s repertoire, is approaching its third anniversary. To celebrate that we’ll be hosting a series of interviews translated by Pen over the next few days, starting with this roundable where the core staff talked about their general feelings towards the movie as a whole and some key scenes in particular. Yasuhiro Takemoto: Director x Maiko Nishioka: Scriptwriter x Futoshi Nishiya: Character designer and chief animation director
Article pinned in memoriam of everyone who lost their lives in the terrorist attack today at the studio. We can only extend our heartfelt condolences to the victims, everyone’s families and friends, and all affected parties in general. Please take care.
Summer season is upon us! To be perfectly honest, anime’s strongest creators are for the most part taking a bit of a break, but that only means that curation is even more important. It’s time to detail which upcoming shows have gathered the strongest creative crews under premises with potential!
The team behind A Silent Voice, captained by Naoko Yamada, has returned with a fascinating little film that challenges regular anime production methods to organically interweave visuals and sound, applies mathematical concepts to the depiction of interpersonal relationships, and crafts gorgeous scenes in entirely non-standard ways. For those of you looking forward to Liz and the Blue Bird, this is what you should expect from this quietly unique experience. And don’t worry, no narrative spoilers ahead!
Today’s Hyouka interview takes a different angle, by asking the main responsible behind its animation about his thoughts on the character design process, that he was allowed quite a lot of freedom for. Enjoy! Futoshi Nishiya – Animator and character designer at Kyoto Animation. Among his past works are Nichijou, Free! and High Speed!, and A Silent Voice.