Gridman is a series where creators and fans are not separate entities, but rather intertwined and constantly co-evolving groups. We’re due a retrospective about the production of its latest film Gridman Universe, the franchise altogether, and how the staff navigated that unique situation.
SSSS.Dynazenon is an already fascinating follow-up to 2018’s Gridman, an equally evocative love letter to tokusatsu and mecha titles that wears its Anno influences in its sleeves, while also being in conversation with its predecessor. Let’s see how the project came to be, the way they derived the show’s themes and focus from the creator’s passions of youth, and also its fortunate production.
We’re approaching the end of SSSS.GRIDMAN at full force, with barely any time to breathe but still enough for you to enjoy this penultimate look at the series. Let’s examine the directorial and production choices as usual, the staff behind them, but also the context at studio TRIGGER that influenced how this show turned out – not just their current projects, but those that might come next.
SSSS.GRIDMAN has maintained its fascinating identity even when handed to other directors and different studios altogether, still combining all the nostalgic factors with some new ingredients. Let’s continue examining its production to see how they’ve brought back lost arts while at the same time also advancing certain techniques!