Let’s start to catch up with the production of Mob Psycho 100 Season 2 – the staff’s creative intent, what happens behind the scenes and its consequences on the work itself – with a long post about the Keiji Mogami arc. Perhaps one of the best in action anime history? No big deal, really.
Our animation archive Sakugabooru celebrates its fifth anniversary today, having grown more popular than we ever could have hoped for. After all this time we’ve amassed plenty of information regarding people’s favorite pieces of animation: the most beloved artists, the nature of those sequences, what kind of format and even length are favored – enjoy this very illustrative look at how fans all around the world consume animation!
There’s no need to hold back on the praise for this: Fate/Apocrypha #22 was the best animated episode of anime in 2017, one of the greatest outings in general terms, and a genuinely significant moment for this industry. So as much as we find the production notes format useful to provide you the important points of all the shows we cover, this time we’re offering an even more in-depth write-up about everything that made this episode so special. Enjoy!
My Hero Academia, Shonen Jump’s latest big action title, has been on the radar of many manga fans ever since it began its serialization. Brought to life by Kohei Horikoshi’s attractive art style, its underdog story set in a world of heroes quickly became a hit sensation, eventually shaping up to be a surefire candidate for an anime adaption – but little did we know how unusual that adaptation would turn out to be.
Last week I focused on promising young animators working on Mob Psycho. A certain someone must have considered it a challenge, because he appeared to show off there is more new talent in the industry.