Our yearly animation awards gather writers from all around the world to highlight the animated works that resonated with them the most – and this time we’re taking them to the next level, by including the insight of various anime industry members, from a production assistant to animators and even directors. We’ve split the results into three posts so that the result is easier to disgest, so today we’re presenting the best TV episodes of 2019, the opening and ending…
It’s time to recap all the recent happenings in Fate Grand Order: Babylonia‘s exceptional production, some shortcomings of the show, but especially to admire the work of a certain animator who continues to deliver the most memorable work in the entire star-filled project.
Renowned series directors, main writers of notoriety, ace animators in various positions, perhaps some painters acting as art directors or designers – there are some individuals whose name alone can generate excitement, but it’s reserved to a select crew. So how come fans and industry folks alike are clamoring about Fate Grand Order: Babylonia #05’s production assistant, even though that’s anime’s most undervalued role? Let’s learn about how people like Shouta Umehara can make a difference in the field!
The Promised Neverland’s come to an end… for now. With the production of season 2 already in sight, it’s time to examine the consequences of the director’s vision, various production circumstances that affected the show, and also check what to expect from this team in the sequel.
Let’s start to catch up with the production of Mob Psycho 100 Season 2 – the staff’s creative intent, what happens behind the scenes and its consequences on the work itself – with a long post about the Keiji Mogami arc. Perhaps one of the best in action anime history? No big deal, really.