We’re back with more Keep Your Hands Off Eizouken coverage to detail how well this material has synergized with Science Saru’s spirit, giving exciting opportunities to diverse up-and-coming creators to learn the ins-and-outs of anime production alongside the cast, but also protecting them with smart safety nets.
2020 has started strong with Keep Your Hands Off Eizouken, Masaaki Yuasa’s evocative love letter to the art of animation. Let’s begin exploring its equally fascinating production – origins, goals, and what the staff gathered by Science Saru is contributing to an already charming manga.
I don’t remember giving permission to 2020 to start, but since it’s gone and done that, I suppose it’s time to curate all the new TV and web anime offerings to find those with the most interesting creators and premises. So, what are the most promising Winter 2020 anime?
What does BEASTARS‘ opening sequence have in common with other iconic intros like DRIFTERS and Tatami Galaxy, the filmography of geniuses like Satoshi Kon and Tatsuya Oishi, plus many sweet commercials and educational works? The answer is Michiya Kato and his studio CYCLONE GRAPHICS – a team you might have loved for a long time without even noticing their presence!
The new season’s already starting, so you know what that means: it’s time for another detailed rundown of all new anime with particularly talented creative teams, to see what’s got the most potential and how each production is faring.
We got to watch Masaaki Yuasa’s new delightful movie Kimi to, Nami ni Noretara / Ride Your Wave and had to write about the sincerity of its craft and its storytelling, how it intertwined its character relationships and visual vocabulary, and the place it occupies in Yuasa and Science Saru’s body of work. No spoilers beyond the pivotal event present in every synopsis and promotional video!
Today we’ll look at the career of Noburo Ofuji, an anime pioneer who advanced Japanese animation for as long as he lived, and then had that spirit live on through Japan’s oldest and most prestigious animation award. Be it commercial animation or indie works, Ofuji’s vision has endured to keep on awarding anime’s most innovative works!
Beloved director Masaaki Yuasa has returned to France, to the same Annecy setting where last year he was given an award for his joyous film Lu over the Wall. Accompanied by other key figures from the project, he hosted a retrospective of his career as director, and even unveiled their all-new project. Tune in for all the details!
Before our own write-up for the series, we decided to share the insight of director Masaaki Yuasa on the making of DEVILMAN crybaby: how the project came to be, the way he approached its themes, as well as curiosities about the production itself like the multiple solo key animation episodes. Translation from an original interview by Haruna Yamazaki, published on Buzzfeed Japan.
The Winter 2018 anime season is upon us, and that means it’s time for us to detail which of the many upcoming projects are most likely to deliver on their promises. A usual, we’ll be highlighting the series where interesting premises overlap with creators who can properly handle them, as well as general comments on the health of the productions, and some behind the scenes comments. Titles like DEVILMAN crybaby, DARLING in the FRANKXX and Violet Evergarden were a given,…