Tomohiro Furukawa draws from the philosophy and methods of living legends like Mamoru Oshii, Hideaki Anno, and his mentor Kunihiko Ikuhara. He reconstructs their teaching and his influences from countless fields into a unique thrilling style—that’s Revue Starlight The Movie, and what he calls experience-centric anime.
Enjoy this deep dive into the unusual Winter 2021 anime season: let’s talk about its extraordinary concentration of brilliant creators and robust teams capable of supporting their ideas, but also the huge yet uneven impact of the pandemic, widening the already existing inequality rifts in the industry.
Ojamajo Doremi became a formative experience for a whole generation. An impossibly daring team with a perfect overlap of young and veteran talent at Toei accompanied kids across topics no other anime would tackle with such maturity. 20 years later, they still do.
Anime has a long tradition of cultivating plenty of its most brilliant talent, those individuals that fans point at to illustrate the possibilities of Japanese animation, in TV shows for kids. Let’s explore the factors that cause this and a bit of a curious exception through the fantastic latest episode of Precure.