Masaaki Yuasa’s Tatami Galaxy stood as a one-of-a-kind masterpiece, so how is Time Machine Blues perfectly recreating its charm 12 years later and under a different director? This is how context does (and doesn’t) affect the creation of such unique anime.
Sonny Boy is an anomaly in commercial media, let alone as a TV anime: a fascinating creator given a blank cheque that he cashed in to explore his philosophical views, mixing cultural touchstones and personal musings into a unique sci-fi story, and tweaking animation production norms to illustrate a singular worldview with unmatched cohesion.
The Winter 2019 season is already starting, so we’re back to do our usual job: figuring out which new titles have premises with high potential and creative crews that can do them justice, to save you the headache of doing it yourself! Let’s run down the most interesting offerings this season, both the ones you’re already expecting and some curious surprises.
Anime’s possibilities have multiplied with the growth of digital 2D animation, both in terms of techniques available and accessibility. This industry has more tools at its disposal for more people than ever, but how did we get to this point? Who are the main people responsible for all this change? And how did they convince both industry peers and audiences that this was a valid path worth heavily investing on? That’s what we’re here to address in a very special anniversary!
As expected, ACCA‘s final episode featured the highest number of renowned animators the show had to offer. Did their work live up to expectations then? Let’s find out, while giving a last general look at this fine series.
It’s time to look at a handful of notable opening and ending sequences from this season of anime, briefly disclosing the staff that made them possible and highlighting their particular strengths. Since people were fond of this concept last time, I went ahead and decided to make it into a recurring thing. Enjoy!
Let’s welcome the new season by looking into its most spectacular opening sequences.