With Re:Zero season 2 right around the corner, it’s time for a lengthy look back at the team and circumstances that made the original such a successful adaptation, as well as their evolution over time and what that means for this sequel’s production.
Haruka Fujita, who was the sole project leader for the first time with Violet Evergarden Side Story, shared her experiences pre-production, the actual animation process, and the positive outlook she kept all the way through.
Today’s double dose of Violet Evergarden goodness also includes the translation of an interview with its director Taichi Ishidate, originally published in the recently founded Shin-Q magazine. Ishidate talks about his personal approach to the project, its themes, and the particularities of the production, such as the impossibly detailed designs and the unique coloring process.
Violet Evergarden is a strong candidate to becoming one of the most impressive TV anime productions of all time, so of course we’ll be covering the show in its entirety. The first episode already showcased many aspects that make it a very special production, so let’s waste no time and dig into the secrets of this project!
The Winter 2018 anime season is upon us, and that means it’s time for us to detail which of the many upcoming projects are most likely to deliver on their promises. A usual, we’ll be highlighting the series where interesting premises overlap with creators who can properly handle them, as well as general comments on the health of the productions, and some behind the scenes comments. Titles like DEVILMAN crybaby, DARLING in the FRANKXX and Violet Evergarden were a given,…
As the finale of this month’s Hyouka coverage we’d like to share this look into one of the aspects that make it such a special show: the recurring fantasies in an otherwise grounded series, which each episode’s staff was given immense creative freedom for. The results were unique aesthetics applied to sequences that articulated the inner feelings of the characters much better than dialogue tends to do.
Today’s Hyouka post is rather lighthearted but nonetheless interesting: short comments by all the episode directors regarding their feelings on the material that they personally handled. Sadly only the ones for the second half of the series were published in Otona Animedia, but it’s still enjoyable, brief insight by the creative team. If you want some more of that, megax also translated comments by each episode’s staff as they published them on the official site. They were quite fond of…
We attended the early screening of two Violet Evergarden episodes – the very first time #1 was shown in Japan, and the worldwide premiere of #2 – so we’re here to offer you a spoiler-free set of impressions that might get you more excited about this tremendous production.
A few weeks ago, Violet Evergarden‘s series director Taichi Ishidate attended Anime Expo alongside a few key creators from the project, to witness the series worldwide premiere 6 months before its actual start. The official site made an interview with him available today, where he explains his personal experiences during this trip, how it feels for a Japanese creator to see overseas fans react to their work first-hand, as well as some insight on the staff’s approach to this production….
A few months ago we published a comprehensive look at the core staff of The [email protected] SideM, and since people found that helpful we decided to put up something similar for another upcoming series with an interesting lineup. This is essentially what we do on seasonal previews with some more focus: a look at the key creators in the project as well as the circumstances surrounding the production. Let’s see what’s up with Violet Evergarden.