If you’re dying to watch the upcoming Fate/Grand Order Babylonia anime, we’re here to help you by making that wait even more painful — this whole piece is dedicated to its extraordinary production circumstances, the consequences of the studio prioritizing the project, the dazzling team behind it, and also the limitations they might be facing. And if you’re not interested at all in the series, should you be? Let’s see!
Fire Force‘s spectacle has already started, so let’s begin examining the director’s attempts to strengthen the material, the usage of amazing FX animation not just for action purposes but to build character, and just how the hell this many SHAFT staffers ended up joining David Production instead.
Over the last 5 years, Studio Colorido has become one of the most beloved studios in the anime industry because of their thrilling, imaginative, and colorful works. What was once a small crew with potential has now become one of the most capable digital teams in animation, leading the pack when it comes to new techniques and embodying the spirit of the new generations of anime creators. And this is how it happened.
Before tackling this new season, it’s time to wrap up our coverage of Yama no Susume / Encouragement of Climb season 3 and explore at length why it’s not just a quietly spectacular anime production, but also an exceptionally efficient storytelling effort!
Yama no Susume / Encouragement of Climb is, three seasons into the series, the most ridiculous current production that barely anyone watches. Following up on the understated sakuga madness the previous seasons offered, we’ve got a crew that includes the youngest anime director, one of the most influential animators in this generation worldwide, a group that used to be studio SHAFT’s aces, one of the rising stars behind the upcoming The Promised Neverland anime, and much more. They all compliment an already…
Since people seemed to enjoy the first rundown, here’s another look at many interesting books released by individual staff members and creative teams during the last edition of Comiket. It’s not just a very direct way for them to reach fans, it also allows us access to production materials and original art that wouldn’t have been shared otherwise. Enjoy!
We continue to uncover the bright figures that will shape the future – and already the present to some degree – of the world of anime. This time we tackle an up-and-coming artist at Studio SHAFT who exploits his unusual background to craft unforgettable scenes as both an illustrator and key animator.