The second season of Attack on Titan has come to an end, not in the most graceful way but still in surprisingly effective fashion. Let’s explore the good and the bad for one last time – all the small yet noticeable improvements on the prequel, but also the production mess it hasn’t been able to fully escape in the end. And while we’re at it, let’s bust some myths about potential delays for its third season.
Time for another look at Attack on Titan, as the action takes a bit of a step back and the major narrative twists arrive. Let’s explore how the staff approached those challenges, and how studio WIT’s particular way of doing things is going.
The Attack on Titan coverage is back to tackle a downtime episode storyboarded by studio WIT’s most interesting director, and a more action packed one that allowed the show’s animation star Arifumi Imai to once again show off his skill. Tune in for some anime industry history, overviews of the work of some spectacular creators, and some more detail on how WIT operates.
Attack On Titan’s sequel has finally arrived, and its many fans requested us to take a look at its production. These articles will be examining its staff, the creative process, the animation itself and even some technological advances. This time, special focus on studio WIT’s unique makeup animation process!