Today’s double dose of Violet Evergarden goodness also includes the translation of an interview with its director Taichi Ishidate, originally published in the recently founded Shin-Q magazine. Ishidate talks about his personal approach to the project, its themes, and the particularities of the production, such as the impossibly detailed designs and the unique coloring process.
Violet Evergarden is a strong candidate to becoming one of the most impressive TV anime productions of all time, so of course we’ll be covering the show in its entirety. The first episode already showcased many aspects that make it a very special production, so let’s waste no time and dig into the secrets of this project!
The Winter 2018 anime season is upon us, and that means it’s time for us to detail which of the many upcoming projects are most likely to deliver on their promises. A usual, we’ll be highlighting the series where interesting premises overlap with creators who can properly handle them, as well as general comments on the health of the productions, and some behind the scenes comments. Titles like DEVILMAN crybaby, DARLING in the FRANKXX and Violet Evergarden were a given,…
We attended the early screening of two Violet Evergarden episodes – the very first time #1 was shown in Japan, and the worldwide premiere of #2 – so we’re here to offer you a spoiler-free set of impressions that might get you more excited about this tremendous production.
This entry on our series about the most promising up-and-coming anime creators has a particular theme: Kyoto Animation’s new generation. Unlike the many young stars we’ve highlighted so far, who generally lend their talents to half the industry, we’ll tackle two incredible artists who exclusively work for a single studio. Enjoy this introduction of the two women who, on a direction and animation level, are meant to lead KyoAni in the future…and the present already!
A few weeks ago, Violet Evergarden‘s series director Taichi Ishidate attended Anime Expo alongside a few key creators from the project, to witness the series worldwide premiere 6 months before its actual start. The official site made an interview with him available today, where he explains his personal experiences during this trip, how it feels for a Japanese creator to see overseas fans react to their work first-hand, as well as some insight on the staff’s approach to this production….
The last few days have been so densely packed with anime industry developments that we’re going to split the coverage in multiple posts. For this article, megax has taken a handful of news themed around the idea of planning – these are some ideas brewing in the industry and already coming into fruition, hopefully to make it a better place. Directly improving the lives of the creators, reaching international fans, diversifying output, crowdfunding used in ways you wouldn’t expect, there’s plenty…
A few months ago we published a comprehensive look at the core staff of The IDOLM@STER SideM, and since people found that helpful we decided to put up something similar for another upcoming series with an interesting lineup. This is essentially what we do on seasonal previews with some more focus: a look at the key creators in the project as well as the circumstances surrounding the production. Let’s see what’s up with Violet Evergarden.
A silly and sweet Christmas episode that happens to be a low-key visual spectacle. Plenty of production goodness to highlight this time!