Kaguya-sama: Love is War Season 2 came to an end with big surprises: touching moments that recontextualized entire relationships, and plenty of non-standard production decisions that allowed it to punch way above its weight, with a flexible team that enabled spectacular individual performances. Time for a last look at the show!
Kaguya-sama: Love is War Season 2 has reached its midseason climax, and rather than take a quality hit, it’s only been getting better with time thanks to a small but inventive and very dedicated team. And this is how they did it!
While current anime get delayed left and right, Yesterday wo Utatte / Sing “Yesterday” for Me sidestepped all those issues by wrapping up its production early. The smart planning led to a more comfortable team and exceptionally consistent character acting that elevates the show.
Keep Your Hands Off Eizouken came to an end without compromising the ideals of its production, even as deadlines got tight by the end. This is our final look at the most inspiring series about creating animation!
We’re back with more Keep Your Hands Off Eizouken coverage to detail how well this material has synergized with Science Saru’s spirit, giving exciting opportunities to diverse up-and-coming creators to learn the ins-and-outs of anime production alongside the cast, but also protecting them with smart safety nets.
Keep Your Hands Off Eizouken! continues to follow a young group of creators making animation not as a tool but as a goal of its own – and its latest episode is the product of the effort of a brilliant, real up-and-coming artist relying on friends with that same mindset.
Keep Your Hands Off Eizouken! continues to showcase the magic of animation – though did you know that its deep understanding of the art form doesn’t come from just the fantastic anime team, but its original author too?
2020 has started strong with Keep Your Hands Off Eizouken, Masaaki Yuasa’s evocative love letter to the art of animation. Let’s begin exploring its equally fascinating production – origins, goals, and what the staff gathered by Science Saru is contributing to an already charming manga.
It’s time to recap all the recent happenings in Fate Grand Order: Babylonia‘s exceptional production, some shortcomings of the show, but especially to admire the work of a certain animator who continues to deliver the most memorable work in the entire star-filled project.
Fire Force‘s spectacle has already started, so let’s begin examining the director’s attempts to strengthen the material, the usage of amazing FX animation not just for action purposes but to build character, and just how the hell this many SHAFT staffers ended up joining David Production instead.