86: Eighty Six packs a fairly compelling war story with a surprisingly nuanced political message. And this is how its team is streamlining it and amplifying its impact, with direction that emphasizes perspective and tonal shifts to make you viscerally feel the inequality.
SSSS.Dynazenon is an already fascinating follow-up to 2018’s Gridman, an equally evocative love letter to tokusatsu and mecha titles that wears its Anno influences in its sleeves, while also being in conversation with its predecessor. Let’s see how the project came to be, the way they derived the show’s themes and focus from the creator’s passions of youth, and also its fortunate production.
Most Wonder Egg Priority episodes so far have been fantastic first time showings by newbie directors, but what is it about this team’s approach that allows them to channel fresh creative energy so much better than their peers? And at the same time, what are the logistical and even thematical problems derived from their approach?
The third episode of Wonder Egg Priority is an amazing directorial debut, capable of modulating its delivery to adapt to a character protecting her wounds with a façade, but also of developing a language of touch to deliver subtler truths. So, who’s the prodigy behind it?
Wonder Egg Priority is a truly unique show, an effort by an up-and-coming star to repurpose the creative language of one of anime’s greatest directors in a way that fits his own circumstances. Grasping its context only makes its quality even clearer.
It’s no secret that Re:Zero‘s staff is facing more adversities than ever before, so how have they been managing to still knock all the big moments in the series out of the park? Let’s dig into the understanding of the material and resource management that have been making that somehow possible.
Kaguya-sama: Love is War Season 2 came to an end with big surprises: touching moments that recontextualized entire relationships, and plenty of non-standard production decisions that allowed it to punch way above its weight, with a flexible team that enabled spectacular individual performances. Time for a last look at the show!
Kaguya-sama: Love is War Season 2 has reached its midseason climax, and rather than take a quality hit, it’s only been getting better with time thanks to a small but inventive and very dedicated team. And this is how they did it!
While current anime get delayed left and right, Yesterday wo Utatte / Sing “Yesterday” for Me sidestepped all those issues by wrapping up its production early. The smart planning led to a more comfortable team and exceptionally consistent character acting that elevates the show.
Keep Your Hands Off Eizouken came to an end without compromising the ideals of its production, even as deadlines got tight by the end. This is our final look at the most inspiring series about creating animation!