Keep Your Hands Off Eizouken! continues to follow a young group of creators making animation not as a tool but as a goal of its own – and its latest episode is the product of the effort of a brilliant, real up-and-coming artist relying on friends with that same mindset.
Keep Your Hands Off Eizouken! continues to showcase the magic of animation – though did you know that its deep understanding of the art form doesn’t come from just the fantastic anime team, but its original author too?
2020 has started strong with Keep Your Hands Off Eizouken, Masaaki Yuasa’s evocative love letter to the art of animation. Let’s begin exploring its equally fascinating production – origins, goals, and what the staff gathered by Science Saru is contributing to an already charming manga.
It’s time to recap all the recent happenings in Fate Grand Order: Babylonia‘s exceptional production, some shortcomings of the show, but especially to admire the work of a certain animator who continues to deliver the most memorable work in the entire star-filled project.
Fire Force‘s spectacle has already started, so let’s begin examining the director’s attempts to strengthen the material, the usage of amazing FX animation not just for action purposes but to build character, and just how the hell this many SHAFT staffers ended up joining David Production instead.
We’re back with another lengthy Sarazanmai piece that focuses on Kunihiko Ikuhara’s unique storytelling, including shortcomings that the team is aware of and is attempting to address in an interesting, thematically-appropriate way. As usual, plenty of production & staff details and all sorts of fun speculation too!
Sarazanmai coverage is back with an extensive analysis of Kunihiko Ikuhara’s storytelling practices, the contributions of other creators involved, the meaning hiding behind certain recurring imagery, the state of the production, and some speculation fueled by endlessly rewatching this fascinating cartoon.
Sarazanmai‘s wild ride continues, which means it’s time to learn more about Kunihiko Ikuhara‘s creative mindset and the perfectly fitting team he assembled for the second episode’s needs.
Sarazanmai marks the return of Kunihiko Ikuhara, one of anime’s most brilliant and socially conscious directors. While it’s still too early to unravel his many playful mysteries, we had to take our time to detail his team’s unique directorial approach and address some deeply rooted misunderstandings about the production.
To the surprise of no one watching the series, Kaguya-sama: Love is War effortlessly landed its final arc. To understand why the show turned out to be such an easy recommendation to viewers who like romcom anime (and those who don’t too, most likely), let’s examine the last episodes of the show, which embody the staff’s dedication to the project, their exceptional understanding of the material, and the charm of the show altogether. Enjoy!