While current anime get delayed left and right, Yesterday wo Utatte / Sing “Yesterday” for Me sidestepped all those issues by wrapping up its production early. The smart planning led to a more comfortable team and exceptionally consistent character acting that elevates the show.
Here’s part two of the Koe no Katachi / A Silent Voice staff roundtable, featuring representatives of various aesthetics departments at KyoAni talking about all the unique processes they had to come up with to produce such a stunning film.
If you’re in the mood for obsessively precise character acting, we’re here to offer the translation of a long roundtable with A Silent Voice’s director Naoko Yamada and some of the individuals who commanded the movie’s animation production, where they reveal many details about its making.
Violet Evergarden‘s side story film is a tragic remnant of the skill of many Kyoto Animation artists whose lives were cut far too short, but also a bright look towards the future by a new generation of creators who now more than ever are meant to become leading voices at the studio.
Haruka Fujita, who was the sole project leader for the first time with Violet Evergarden Side Story, shared her experiences pre-production, the actual animation process, and the positive outlook she kept all the way through.
Anime isn’t escaping unscathed from these turbulent times, so we’ve got a bit of a special season preview: focused not just on the new Spring anime that look like the most interesting gatherings of talent, but also those best prepared to weather the storm and avoid falling apart.
Keep Your Hands Off Eizouken came to an end without compromising the ideals of its production, even as deadlines got tight by the end. This is our final look at the most inspiring series about creating animation!