Keep Your Hands Off Eizouken! continues to follow a young group of creators making animation not as a tool but as a goal of its own – and its latest episode is the product of the effort of a brilliant, real up-and-coming artist relying on friends with that same mindset.
Hoshiai no Sora / Stars Align was one of 2019’s best shows… then its team got backstabbed, and it became emblematic of the fundamentally unfair system for anime creators. It can’t be forgotten, but the show deserves to be remembered as more than that.
2020 has started strong with Keep Your Hands Off Eizouken, Masaaki Yuasa’s evocative love letter to the art of animation. Let’s begin exploring its equally fascinating production – origins, goals, and what the staff gathered by Science Saru is contributing to an already charming manga.
We’ve reached the grand finale of our animation awards! These are the shows and movies that, for some reason or the other, have impressed our panel of fans and industry members the most!
Our animation awards continue with the aesthetics that have impacted fans and industry members the most: the most inspired art direction and color design, the animation designs that fulfill their goals the best, and most striking compositing to bring it all together!
Our yearly animation awards gather writers from all around the world to highlight the animated works that resonated with them the most – and this time we’re taking them to the next level, by including the insight of various anime industry members, from a production assistant to animators and even directors. We’ve split the results into three posts so that the result is easier to disgest, so today we’re presenting the best TV episodes of 2019, the opening and ending…
BEASTARS‘ TV anime gives us an opportunity to talk about studio Orange’s work and how their 3DCG productions – with beautiful strokes of older techniques – make for animated storytelling that’s satisfying in surprisingly traditional ways.
Pokemon Sun & Moon‘s TV series wrapped up after 3 years, and Pokemon is now embarking on a whole new adventure. Let’s explore what made its production a resounding success: not the individual accomplishments like pipeline improvements and animation-friendly designs, but rather how all those aspects came together cohesively to define the show’s identity.
As part of the healing process and necessary restructuring after the devastating arson attack, Kyoto Animation’s staff blog paused operations after 19 years of daily writing about the employees’ work and personal life. Regardless of what they do with it in the future, we owe a look at their fascinating history in reaching out to fans directly.
Renowned series directors, main writers of notoriety, ace animators in various positions, perhaps some painters acting as art directors or designers – there are some individuals whose name alone can generate excitement, but it’s reserved to a select crew. So how come fans and industry folks alike are clamoring about Fate Grand Order: Babylonia #05’s production assistant, even though that’s anime’s most undervalued role? Let’s learn about how people like Shouta Umehara can make a difference in the field!