Kaguya-sama: Love is War Season 2 came to an end with big surprises: touching moments that recontextualized entire relationships, and plenty of non-standard production decisions that allowed it to punch way above its weight, with a flexible team that enabled spectacular individual performances. Time for a last look at the show!
Last week, anime creators with diverse backgrounds and standings in and outside the industry joined their voices to illustrate the hellish experience that is in-betweening. This is how the delegitimization of an essential job is ruining lives and putting anime’s present and future at risk.
With Re:Zero season 2 right around the corner, it’s time for a lengthy look back at the team and circumstances that made the original such a successful adaptation, as well as their evolution over time and what that means for this sequel’s production.
By popular demand, we’ve written about Attack on Titan‘s new creative team, what to expect from the production altogether, and why the significant changes at studio MAPPA made them into arguably the only outside option to carry this massive load.
Kaguya-sama: Love is War Season 2 has reached its midseason climax, and rather than take a quality hit, it’s only been getting better with time thanks to a small but inventive and very dedicated team. And this is how they did it!
While current anime get delayed left and right, Yesterday wo Utatte / Sing “Yesterday” for Me sidestepped all those issues by wrapping up its production early. The smart planning led to a more comfortable team and exceptionally consistent character acting that elevates the show.
Here’s part two of the Koe no Katachi / A Silent Voice staff roundtable, featuring representatives of various aesthetics departments at KyoAni talking about all the unique processes they had to come up with to produce such a stunning film.
If you’re in the mood for obsessively precise character acting, we’re here to offer the translation of a long roundtable with A Silent Voice’s director Naoko Yamada and some of the individuals who commanded the movie’s animation production, where they reveal many details about its making.
Violet Evergarden‘s side story film is a tragic remnant of the skill of many Kyoto Animation artists whose lives were cut far too short, but also a bright look towards the future by a new generation of creators who now more than ever are meant to become leading voices at the studio.
Haruka Fujita, who was the sole project leader for the first time with Violet Evergarden Side Story, shared her experiences pre-production, the actual animation process, and the positive outlook she kept all the way through.