Browsed by
Author: kViN

Naoko Yamada’s Departure From Kyoto Animation And Science Saru’s Painful Reinvention: End Of An Era, Start Of An Era?

Naoko Yamada’s Departure From Kyoto Animation And Science Saru’s Painful Reinvention: End Of An Era, Start Of An Era?

KyoAni’s most renowned director Naoko Yamada left the studio she had dedicated her entire career to and is now directing Heike Monogatari at Science Saru—a studio in the midst of labor and creative turmoil. So, what does that mean for all the involved parties?

Kyoto Animation’s Changing Studio Dynamics: Miss Kobayashi’s Dragon Maid S Production Notes 02

Kyoto Animation’s Changing Studio Dynamics: Miss Kobayashi’s Dragon Maid S Production Notes 02

The second episode of Miss Kobayashi’s Dragon Maid S happens to embody some ongoing changes to Kyoto Animation’s inner workings: forced to adapt to the circumstances after the tragedy exactly two years ago, while also protecting the young talent they want to continue training. More than ever before, the studio works as one now.

Mobile Suit Gundam Hathaway’s Focused Excellence And The State Of 2D Mecha Anime

Mobile Suit Gundam Hathaway’s Focused Excellence And The State Of 2D Mecha Anime

Mobile Suit Gundam Hathaway is shaping up to be an excellent film trilogy, a collective effort by creators who approach realism from their own angle coupled with stellar character acting—but how come such a high profile work by one of the remaining bastions of 2D mechanical animation went the 3D mecha route?

Kyoto Animation’s Youthful Comeback: Miss Kobayashi’s Dragon Maid S 01 Production Notes And New Studio Commercials

Kyoto Animation’s Youthful Comeback: Miss Kobayashi’s Dragon Maid S 01 Production Notes And New Studio Commercials

Maidragon is back. KyoAni is back—in more ways than one, having given free rein to the next generations of creators trained under the studio’s unstoppable mentorship system. All these efforts shared a rallying cry that the studio altogether has adopted after their tragedy: inspiration for the future.

86: Eighty Six – Production Notes 04-11 And Final Impressions

86: Eighty Six – Production Notes 04-11 And Final Impressions

A teaser for 86: Eighty Six‘s second cours dropped today, so let’s look back at this surprisingly daring show—a stunning showcase of a beginner director’s vision, technical skill, and confidence to stick to his unique style all the way through, except for one brilliant interlude.

SSSS.DYNAZENON – Production Notes 10

SSSS.DYNAZENON – Production Notes 10

SSSS.Dynazenon #10 was an explosive showcase of young creative energy drawing the audience in and out of a stunning illusion, and at the same time, proof of how important it is to have the right environment for unique talent to bloom.

What Actually Is Anime Outsourcing? – The Historical Context And Current Reality Of Anime’s Life Support

What Actually Is Anime Outsourcing? – The Historical Context And Current Reality Of Anime’s Life Support

Everyone knows what outsourcing means on a basic level, but at the same time, few get how it works in anime—so here’s a summary of this practice’s historical context, the logistics at play, and the impact on the creative process of the cause and cure of many anime industry problems.

SSSS.DYNAZENON – Production Notes 05-09

SSSS.DYNAZENON – Production Notes 05-09

The time has come for another deep dive on SSSS.Dynazenon‘s production: a mix of unique in-house Trigger talent and outside help, working in conjunction to create a show where the animation, writing, structure, and even the staff allocation responds to (and subverts!) existing expectations.