Our new post about a rising figure in anime isn’t about a young creator who immediately achieved success, but rather someone who had to train under various veterans for a while to hone up his skills as director. Today we won’t just talk about how Naoya Ando personally uses lighting to root his animation work in reality, but also briefly touch on the struggles of creators in kids shows to catch the eye of both fans and critics.
We return to our series about up-and-coming anime creators with perhaps the character animator who is generating the most excitement within the industry itself: the mysterious soty, whose work you might have started to enjoy on Toei anime under the name Keisuke Mori, but also on all-star congregations of talent using his pen names on other productions. Let’s observe not only his extraordinary skill, but also the unique animation culture he inherited.
Digital animators have been putting out some of the most impressive work anime has to offer over the last few years. Today we present you one of the leaders of a new wave within that movement, which introduces a more human element to those flashy spectacles. Meet Nakaya Onsen, who has been receiving lots of attention as one of the stars in the astounding Fate/Apocrypha #22!
One of the most interesting young independent artists has made it to the professional industry in a major way, gaining notorious acclaim through her work in Land of the Lustrous in particular. We’re talking about the multitalented Yoko Kuno, whose enchanting style is bound to make waves in the world of anime. Today we’ll look at what makes her work so special, as well as the less well-known sides to her career that allowed her to get to this point….
That hand drawn mechanical animation is in a tricky spot is no secret. As much as many of us personally love it, there’s no denying that it’s exhausting work that’s inherently more suited to 3D craft. Add to that the general issues the industry suffers from, and over the years you get less and less newcomers willing to specialize in this subject. That’s why we’ll be dedicating this new entry in our series about the anime creators who will shape…
It’s been a while since our last entry in this series about the most promising fresh creators in the anime industry, but to make up for it we return with a very timely and interesting choice: Mai Toda, currently serving as the character designer and chief animation director on the lovely Girls’ Last Tour. Quite the talent as an effects animator and one of the strongest designers when it comes to modern cartoony work!
This entry on our series about the most promising up-and-coming anime creators has a particular theme: Kyoto Animation’s new generation. Unlike the many young stars we’ve highlighted so far, who generally lend their talents to half the industry, we’ll tackle two incredible artists who exclusively work for a single studio. Enjoy this introduction of the two women who, on a direction and animation level, are meant to lead KyoAni in the future…and the present already!
Our series highlighting the work of the most promising young anime creators returns with someone you might unknowingly be acquainted with: Naoki Yoshibe, the director behind fantastic openings for Jojo’s Bizarre Adventures and Gatchaman Crowds, who also happens to be behind the yotube persona who keeps on making his effects animation clips go viral online. Prepare for an in-depth look at an artist who truly deserves it!
Another writer joins the Anime’s Future series to provide a different angle on interesting up-and-coming artists in the anime industry. Those who know me from the coverage of series like Mob Psycho 100 and My Hero Academia won’t be surprised to hear that I’ve chosen to talk about a pure animator linked to Studio BONES.
We continue to uncover the bright figures that will shape the future – and already the present to some degree – of the world of anime. This time we tackle an up-and-coming artist at Studio SHAFT who exploits his unusual background to craft unforgettable scenes as both an illustrator and key animator.