The final translation to celebrate Kizumonogatari’s 5th anniversary is with none other than director Tatsuya Oishi: his feelings after wrapping up such a monumental production, the reasoning behind his visionary direction, and even themes you might’ve missed.
This week’s Kizumonogatari translation is a collection of commentaries by the ace animators who handled the most iconic sequences, talking about their feelings and goals with those scenes, as well as the techniques employed. This is how the most stunning moments came to be!
Our Kizumonogatari interview translations continue with a conversation with CG director Shinya Takano, who reminisces about the production and its extremely ambitious approach that grew far bigger than studio SHAFT alone could handle, as well as the deliberate contrast between organic and inorganic animation.
SK8 The Infinity and Wonder Egg Priority are two original passion projects, both also being high-profile productions that have been in the works for a long time. Despite being exactly what anime needs on paper, they have crashed to the point where only extreme crunch might allow them to make it to the goal by the intended date. Understanding their distinct issues will help you grasp the nuance of TV anime’s structural problems.
Our next Kizumonogatari staff interview translation has VFX supervisor and eventual director of photography Michiya Kato give an in-depth chronicle about its production: the deliberate aesthetic mismatch yet tremendously cohesive creative approach, and the nearly impossible amount of work behind it all.