SSSS.GRIDMAN‘s not losing any momentum, with interesting new reveals boosted by very purposeful directorial choices… but also quite the controversy (or not really) regarding the production that we thought should be addressed before it gets out of hand.
Now that it’s finally revaling its mysteries, SSSS.GRIDMAN‘s more intriguing than ever. Let’s delve back into the series with another in-depth look at its secrets, the directorial principles that make is so engrossing, the ups and downs of outsourcing process, and a few more behind the scene matters that explain what’s happening on the screen.
The current season of anime has left us with many eye-catching opening and ending sequences. Now that right about every TV series seems to have shown what they’ve got to offer, let’s examine the most striking examples and the teams behind them – which can be rather small, since in multiple cases these sequences were produced almost entirely by single individuals!
One of the keys to Kunihiko Ikuhara’s success is his ability to surround himself by creators who fit his aesthetic but also thematic needs, no matter the artistic field those people belong to. So while his upcoming TV series Sarazanmai is still a ways to go, there’s a lot we can infer already, and much to analyze about the way he operates.
Maquia: When the Promised Flower Blooms is one of the most powerful anime movies you’ll come across this year, and perhaps in general. Beautiful in many senses of the word, committed to its themes, and elevated by a once in a lifetime production effort that served to train both a fascinating new director and a studio as a whole.