Outsourcing and various delegations of duties have become tools for TV anime to barely survive, but with its team’s clear vision and enviable contacts, Dungeon Meshi has been able to alternate between external production excellence and Trigger’s explosive in-house ambition.
Dungeon Meshi‘s anime is the product of the shifting tides at studio Trigger, of a long relationship between the involved parties and the source material, and of a new director who can’t silence his inner fan but still wants to breathe actual life into Ryoko Kui’s charming world.
By popular demand, we’re starting a new column for shorter commentary on animated works and their craft, as well as news and general industry happenings. To open things up: parallels between Hayao Miyazaki and Masayuki Yoshihara’s new films, the quiet theming amidst the bombast of Frieren #06, and much more!