By popular demand, we’re starting a new column for shorter commentary on animated works and their craft, as well as news and general industry happenings. To open things up: parallels between Hayao Miyazaki and Masayuki Yoshihara’s new films, the quiet theming amidst the bombast of Frieren #06, and much more!
The collapse of anime’s mentorship systems and the attempts to fix them aren’t new. At its peak 10 years ago, the Young Animator Training Project produced Little Witch Academia and Death Billiards while raising new talent—but did it succeed, and what’s their legacy now?
Sayonara no Asa ni Yakusoku no Hana wo Kazaro, localized in English-speaking territories as Maquia: When the Promised Flower Blooms, is without a doubt one of the most noteworthy anime movies of 2018. Its affecting story and astonishing production values deserve the recognition they’re getting and then some, but this film’s significance extends beyond its artistic merits. This project is a decisive step in studio P.A. Works’ current plans, and an unprecedented opportunity to grow.
Last month we published a post that contrasted the creative approaches of the original Card Captor Sakura with its new animated incarnation. Today we return with an even more special feature, going in-depth on one of the most spectacular long running shonen anime of all time; a look back at the special charm it holds, the circumstances of its production, and the talented creators that made it such an unforgettable experience. Happy 25th birthday, Yu Yu Hakusho.
The Eccentric Family is one of the most unique TV anime, an exceptional project not only as far as P.A. Works is concerned but for the industry in general. Its sequel has now finished leaving behind some genuine production mysteries, as well as plenty of creative decisions worth talking about. Let’s return to its magical Kyoto once again.
Uchouten Kazoku enamored all viewers it could reach, but not many people would have bet on it receiving a sequel. Sometimes good things do happen though, and so this delightful family series set in a magical Kyoto is back. Masayuki Yoshihara’s take on Tomihiko Morimi’s novels is thoughtful and immensely rich in detail, so we’re going to have plenty of neat moments to highlight. And as usual, expect a look at the staff as well. Expect these posts every 1-2…