Attack on Titan‘s third season hit a major climactic moment so let’s recap how the production has fared so far, good and bad, before we explore how the team gave extra oomph to this big moment. Quite the directorial superstar arrived to assist studio WIT’s efforts!
We’re back once more with some Attack on Titan coverage, to catch you up with the production developments of the third season but especially to talk about the action frenzy in the second episode that’s left many viewers speechless. Time to see who’s behind it all!
By popular demand, we’ve written about Attack on Titan‘s new creative team, what to expect from the production altogether, and why the significant changes at studio MAPPA made them into arguably the only outside option to carry this massive load.
After verifying the leaks that qualified people at studio WIT have indeed said they’re done with Attack on Titan, we wrote about the staff that gave the show such a distinct identity and what could happen in the future if that turns out to be true. Big news for sure, but don’t panic quite yet.
The second season of Attack on Titan has come to an end, not in the most graceful way but still in surprisingly effective fashion. Let’s explore the good and the bad for one last time – all the small yet noticeable improvements on the prequel, but also the production mess it hasn’t been able to fully escape in the end. And while we’re at it, let’s bust some myths about potential delays for its third season.
The Attack on Titan coverage is back to tackle a downtime episode storyboarded by studio WIT’s most interesting director, and a more action packed one that allowed the show’s animation star Arifumi Imai to once again show off his skill. Tune in for some anime industry history, overviews of the work of some spectacular creators, and some more detail on how WIT operates.
Summer season is upon us! To be perfectly honest, anime’s strongest creators are for the most part taking a bit of a break, but that only means that curation is even more important. It’s time to detail which upcoming shows have gathered the strongest creative crews under premises with potential!
It’s no exaggeration to say that outsourcing studios keep anime alive, and yet fans are still mostly unaware of their integral role in the production of their favorite shows. The disappearance of Studio Wanpack, the biggest company of this kind, serves as an opportunity to explain just how important they were, and also what’s been happening to the many animators who worked for them.
Good evening, good afternoon and good morning ladies and gentlemen! We find ourselves at the end of another year, recalling the good and the bad times, celebrating the lack of a hangover despite a wild night out, but also struck with the fear of hanging over a toilet bowl on New Year’s Day to keep the scales balanced. Most importantly, though, it’s the time of the year where we round up the sakubuta to present the ever-growing Sakuga Bowl and…
Those of you looking forward to the first Fate/stay night Heaven’s Feel movie, which premiered in Japan earlier this month, please enjoy this long set of notes on the film and the work of ufotable’s crew – worry not, no spoilers! And while this will definitely not cause people to do a 180 on either the franchise or the studio, I recommend that those of you who were on the fence give this a read. As it turns out, this is…