Mob Psycho’s character designer and general animation superstar Yoshimichi Kameda keeps sharing our posts on the series on twitter. That makes us ridiculously happy, but let’s not abuse his kindness and talk about other series for a change.
I dared to keep Tachikawa away from this column for one week, and now he’s pissed off and back to reclaim his rightful throne. You know which series I have to start with this time.
Last week I asked for a more moderate episode of Mob Psycho to have some breathing room for other series in here, and in the end we got a solo key animation work that could get pretty conclusively covered in its individual post. This show is nice to me even when conserving energy. Time for a change of pace then.
Let me tell you about a fascinating, lovingly crafted series. You might have heard of this one before, it’s called Mob Psycho.
It’s time for the weekly highlights, slightly earlier than usual since the Mob Psycho post will be delayed and we wanted to make up for it. Fans of digital animation and those who want to learn more about it: get ready, this one’s for you.
A couple days ago we started the individual weekly coverage of Mob Psycho 100, which means that there’s not much of a need to talk about it here. But I will anyway. You can’t offer me such a succulent treat and expect me to stay away from it. There were other interesting premieres I want to bring up, but it’s obvious what I’m dying to jump into.
It’s time to start a regular feature for this site, the weekly highlights! The idea is simple: take a handful of interesting pieces of animation – in the broader sense of the term, compelling visual direction is included too – and offer a bit of insight on them. Let’s go!