I’ve returned from Anime Expo, which means it’s finally time to begin coverage of the newest addition to the ranks of Fate anime! For those not familiar with the staff and why this adaptation is as notable as it is, I made sure to detail all of that during our season preview, so let’s skip the pleasantries and dig right in!
Let’s start to catch up with the production of Mob Psycho 100 Season 2 – the staff’s creative intent, what happens behind the scenes and its consequences on the work itself – with a long post about the Keiji Mogami arc. Perhaps one of the best in action anime history? No big deal, really.
SSSS.GRIDMAN casually dropped one of the most memorable episodes of the year, a tour de force of evocative layouts and energetic animation that managed to make a hateful villain into a sympathetic person as if it were easy. Let’s explore this show’s greatest episode, the team behind them, and the industry movement it represents.
Before tackling this new season, it’s time to wrap up our coverage of Yama no Susume / Encouragement of Climb season 3 and explore at length why it’s not just a quietly spectacular anime production, but also an exceptionally efficient storytelling effort!
There’s no need to hold back on the praise for this: Fate/Apocrypha #22 was the best animated episode of anime in 2017, one of the greatest outings in general terms, and a genuinely significant moment for this industry. So as much as we find the production notes format useful to provide you the important points of all the shows we cover, this time we’re offering an even more in-depth write-up about everything that made this episode so special. Enjoy!
The first half of Fate/Apocrypha has been made available for worldwide maybe some western audiences if they’re lucky after what feels like a millennia, so as usual, here’s a post containing links to our coverage of what’s available thus far. See you in five years next year for the second half!
Our yearly animation awards gather writers from all around the world to highlight the animated works that resonated with them the most – and this time we’re taking them to the next level, by including the insight of various anime industry members, from a production assistant to animators and even directors. We’ve split the results into three posts so that the result is easier to disgest, so today we’re presenting the best TV episodes of 2019, the opening and ending…
Welcome back to the most special post of the year! As is tradition, we’ve gathered writers from different communities but a shared trait: a love of animation and all it encompasses. The goal, to praise at length the greatest productions and most resonant direction in all of 2018 anime, according to a series of categories. These are our yearly anime awards – the sakugabowl!
The Winter 2018 anime season is upon us, and that means it’s time for us to detail which of the many upcoming projects are most likely to deliver on their promises. A usual, we’ll be highlighting the series where interesting premises overlap with creators who can properly handle them, as well as general comments on the health of the productions, and some behind the scenes comments. Titles like DEVILMAN crybaby, DARLING in the FRANKXX and Violet Evergarden were a given,…
Good evening, good afternoon and good morning ladies and gentlemen! We find ourselves at the end of another year, recalling the good and the bad times, celebrating the lack of a hangover despite a wild night out, but also struck with the fear of hanging over a toilet bowl on New Year’s Day to keep the scales balanced. Most importantly, though, it’s the time of the year where we round up the sakubuta to present the ever-growing Sakuga Bowl and…