Kaguya-sama: Love is War Season 2 has reached its midseason climax, and rather than take a quality hit, it’s only been getting better with time thanks to a small but inventive and very dedicated team. And this is how they did it!
While current anime get delayed left and right, Yesterday wo Utatte / Sing “Yesterday” for Me sidestepped all those issues by wrapping up its production early. The smart planning led to a more comfortable team and exceptionally consistent character acting that elevates the show.
Keep Your Hands Off Eizouken came to an end without compromising the ideals of its production, even as deadlines got tight by the end. This is our final look at the most inspiring series about creating animation!
We’re back with more Keep Your Hands Off Eizouken coverage to detail how well this material has synergized with Science Saru’s spirit, giving exciting opportunities to diverse up-and-coming creators to learn the ins-and-outs of anime production alongside the cast, but also protecting them with smart safety nets.
Keep Your Hands Off Eizouken! continues to follow a young group of creators making animation not as a tool but as a goal of its own – and its latest episode is the product of the effort of a brilliant, real up-and-coming artist relying on friends with that same mindset.
2020 has started strong with Keep Your Hands Off Eizouken, Masaaki Yuasa’s evocative love letter to the art of animation. Let’s begin exploring its equally fascinating production – origins, goals, and what the staff gathered by Science Saru is contributing to an already charming manga.
Symphogear has returned in spectacular fashion, reminding us to never forget the song in our hearts by bringing with it one of the best-produced episodes in the series so far. Join as we explore what makes this episode stand out, as well as why the series’ final season is looking to be its most visually enticing yet!
Fire Force‘s spectacle has already started, so let’s begin examining the director’s attempts to strengthen the material, the usage of amazing FX animation not just for action purposes but to build character, and just how the hell this many SHAFT staffers ended up joining David Production instead.
We’re back with another lengthy Sarazanmai piece that focuses on Kunihiko Ikuhara’s unique storytelling, including shortcomings that the team is aware of and is attempting to address in an interesting, thematically-appropriate way. As usual, plenty of production & staff details and all sorts of fun speculation too!
Sarazanmai coverage is back with an extensive analysis of Kunihiko Ikuhara’s storytelling practices, the contributions of other creators involved, the meaning hiding behind certain recurring imagery, the state of the production, and some speculation fueled by endlessly rewatching this fascinating cartoon.