Hibike! Euphonium Ensemble Contest is the belated comeback of a series that has come to represent its team’s understanding of animation as a fundamental step in the writing process, and also one that exemplifies how Kyoto Animation buck negative anime industry trends in meaningful, sometimes amusing ways.
Kyoto Animation’s rebuilding process is allowing the most self-sufficient anime studio to foster in-house production in new ways, all while raising new generations of storytellers in animation—and Tsurune: The Linking Shot is a perfect example of it.
Let’s dedicate a final look at Maidragon‘s second season and its role in KyoAni’s gradual rebuild—the why and how they made a beautiful show with a smaller team than it takes to animate an average episode of anime nowadays.
The second episode of Miss Kobayashi’s Dragon Maid S happens to embody some ongoing changes to Kyoto Animation’s inner workings: forced to adapt to the circumstances after the tragedy exactly two years ago, while also protecting the young talent they want to continue training. More than ever before, the studio works as one now.
Now that Tsurune‘s past its halfway point, it’s time to return to the series to examine various aspects; how the staff want to balance the meticulous depiction of Japanese archery with entertaining experiences and characterization, the intent behind the storyboards, the state of the production as a whole, and so on!
An honestly predictable self-contained tale ended up being the most emotionally powerful one to date, standing as good proof of just how important the vision of a director is. No better chance to examine the work of all the staff involved than an episode like this!
As the finale of this month’s Hyouka coverage we’d like to share this look into one of the aspects that make it such a special show: the recurring fantasies in an otherwise grounded series, which each episode’s staff was given immense creative freedom for. The results were unique aesthetics applied to sequences that articulated the inner feelings of the characters much better than dialogue tends to do.
Today’s Hyouka post is rather lighthearted but nonetheless interesting: short comments by all the episode directors regarding their feelings on the material that they personally handled. Sadly only the ones for the second half of the series were published in Otona Animedia, but it’s still enjoyable, brief insight by the creative team. If you want some more of that, megax also translated comments by each episode’s staff as they published them on the official site. They were quite fond of…
Exceptionally resourceful key staff, an adorable relationship, plus beautiful backgrounds. Which is to say, the things the show generally does well – but even better.
Despite anime magazines not being very cooperative and deciding shows like Little Witch Academia wouldn’t get staff revealed this month, we have returned you to tell you about all the exciting staff coming up on various ongoing anime. Particularly exciting times for fans of Tiger Mask W, Maidragon, ACCA, Pokemon and Youjo Senki!