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Author: liborek

Anime Japan 2017: Production Materials Gallery

Anime Japan 2017: Production Materials Gallery

It’s been a few hours since this year’s installment of Japan’s biggest anime event Anime Japan ended. This exhibition of “everything about anime” featured a considerable number of booths displaying production materials, and so we decided to search twitter and other outlets to compile them into a single gallery. Enjoy!

ACCA – Production Notes 10 & 11

ACCA – Production Notes 10 & 11

Five outsourced episodes out of twelve is certainly not a ratio to be proud of, as even very subpar productions tend to rely less on full subcontracting. However, what Madhouse can be proud of is the quality of the episodes they did animate in-house.

Roundtable Interview – Masahiko Minami and Yuji Matsukura

Roundtable Interview – Masahiko Minami and Yuji Matsukura

This time we’re bringing you a translation of an interesting roundtalk from Newtype’s February 2017 issue. It features a couple of studio leaders replying to questions regarding their past and future works, the industry at large and some of its fascinating creators. Enjoy! Masahiko Minami: President of Studio BONES and famous bat-wielding head honcho x Yuji Matsukura: Producer at J.C.Staff

Sakuga News? – Anime Industry Rumors From 2ch

Sakuga News? – Anime Industry Rumors From 2ch

As an anonymous message board, 2ch is about as unpleasant as its western equivalents. But since its many discussion threads are sometimes frequented by people with ties to the anime industry, interesting rumors surface once in a while. One particular thread consistently attracts such whispers: the so-called Sakuga Thread (作画を語るスレ – Thread where we talk about animation/sakuga). Many of the comments attempting to pass as leaks turn out to be fake, but there are also plenty of instances of genuine news…

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ACCA – Production Notes 2 & 3

ACCA – Production Notes 2 & 3

I may have given up on ACCA‘s weekly coverage too soon after all. The second episode definitely didn’t warrant a full post, and the show as a whole isn’t quite the kind of outstanding production we give this individual treatment to, but it’s shaping up to be something solid nonetheless. This bullet point approach feels more appropriate, and this way we get to keep an eye on Shingo Natsume as one of the industry’s most interesting directors.